A Brief Background on Châteauneuf-du-Pape

Châteauneuf-du-Pape is a village on the side of a hill overlooking the Rhône Valley and the Rhône River in Southeastern France. It is also a world-renowned Appellation d’Origine Contrôlée (AOC) wine region, which spans the village of Châteauneuf-du-Pape and three other neighboring villages; namely, Bédarrides, Courthézon and Sorgues.

The name Châteauneuf-du-Pape actually means “The Pope’s New Castle,” which refers to the Papal Château that used to tower over the village. This Papal Castle was built in 1320 by Pope John XXII. At that time, the seat of the Papacy was in Avignon instead of Rome (the period from 1309-1378 is commonly known as the Avignon Papacy for this reason). Since the village of Châteauneuf-du-Pape lies between the villages of Avignon and Orange, it was the ideal site for a Papal summer castle; it was close enough to Avignon to make it easy for the Pope to keep an eye on Papal matters, yet it was far enough from the Papal Palace that the Pope could gain temporary respite from the daily pressure of his office.

Today, only ruins remain of the Papal Château in the village of Châteauneuf-du-Pape. Mercenaries looted the castle when Pope John XXII died. The Protestants of Montbrun destroyed it in 1562, the start of the French Wars of Religion. It suffered further damage during the Germans’ retreat in 1944.

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Châteauneuf-du-Pape Wine Tasting at FEDCN

Kelly organized a visit to the Fédération des Producteurs de Châteauneuf-du-Pape (FEDCN) – the organization of Châteauneuf-du-Pape wine producers. The FEDCN is also the place Robert Parker comes to every year to review many of the wines from the region.

As a matter of fact when we arrived at the FEDCN, we were informed that Robert Parker (or “Bob” as the French calls him) is also in town and has just been to the tasting room for a wine tasting. So we all proceeded to the tasting room with Michel Blanc, the director of FEDCN, who invited us to taste the same wines Robert Parker had sampled earlier. That special treat is definitely one of the highlights of my trip.

As we were finishing up with the tasting, we were greeted by the son of Baron Le Roy. For those of you who do not know, Baron Pierre Le Roy de Boiseaumarié was the man behind the proposal to institute the AOC system in France. He wanted to protect the region from wine producers who claimed to produce Châteauneuf-du-Pape wines even though their estates lay outside Châteauneuf boundaries. In 1933, the French Court of Appeal affirmed Châteauneuf-du-Pape’s production regulations that set the Appellation’s production guidelines and boundaries.

I had a truly great time sampling wines at the FEDCN. Our tour of Châteauneuf-du-Pape was far from over, however. We had another scheduled stop: a visit to Domaine Pierre Usseglio & Fils, where we were warmly welcomed by Thierry Usseglio – but that’s a story for another post.

Cheers!

The only American Sommelier in France, Kelly McAuliffe used to work for none other than world-renowned chef, Alain Ducasse. Now he consults with winemakers, educates novices and professionals alike, and provides private wine tours of the Rhône wine region. He chauffeurs you around, which is great because you don’t have to spit out the wines during tastings. And the best part is, you get what is essentially an exclusive, “backstage” access to top Rhône wineries (many of which received 100 points for their wines from Robert Parker in 2007).

Kelly is hands-down one of the best tasters around, a great story-teller and an excellent educator (and I don’t say such things lightly). So if you want to get to know the Rhône wine region – and I mean, really get to know the place – look him up (kmcauliffe@hotmail.fr).

We stayed on the outskirts of Avignon, in Les Angles where we resided in a beautiful villa that Kelly owns and rents out. It’s very conveniently located; sitting right next to Kelly’s home, it’s just a 5-minute drive from the villa to the heart of Avignon, which makes it so easy to get in and out of town.

Avignon, a historic medieval city, is one of those places you must visit if you ever go to France. The culinary capital of Southern France and the capital of the Black Truffle, this place is ideal for discovering the exquisite delights of southern French cooking.

Speaking of culinary delights, let me tell you about a must-visit restaurant in Avignon.

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Restaurant Gérard Alonso

After spending the morning sampling wines with Christophe of Domaine de la Janasse, we proceeded to Restaurant Gérard Alonso in Sorgues, a few minutes’ drive from the Janasse Estate.

This restaurant is a true treasure. Gerard and his wife run the entire restaurant by themselves. Every dish is prepared to order, yet the timing is perfect and the presentation so impeccable it is hard to believe this is basically a two-“man” show.

The cheese platter is extraordinary with its superb selection of perfectly ripe cheeses. Now, that says a lot about a place! The restaurant has a first-rate wine list with a huge selection of Burgundy, something you don’t often see in Southern France. And the prices – they’re extremely reasonable considering the quality of the food, wine and service.

Restaurant Gérard Alonso is definitely a restaurant you should not miss if you’re ever in Avignon. I’ll go so far as to say that this is one of the best restaurants I’ve ever been to this year. I agree with Kelly; this restaurant could easily get a Michelin star if Gerard wants it.

I can spend all day telling you about how incredibly good this restaurant is, but – a picture being worth a thousand words and all that – I figure I’ll let the pictures above do the talking. Again, I urge you to take the time to visit this restaurant. You will not regret it. FYI we paid Euro 29 per person for the lunch menu (wine extra)!

Enjoy!

The 2011 Aureole Wine Weekend is the third of its kind since 2009. The organizer is Charlie Palmer and the Charlie Palmer Group (owner of top restaurants Charlie Palmer, Charlie Palmer Steak, Dry Creek Kitchen and Aureole).

The Aureole Wine Weekend takes place once a year (on a weekend, of course). It is, to borrow the organizer’s own words, “a wine aficionado’s dream.” Several individual events take place throughout the weekend, during which time attendees get to sample hundreds of wines. Charlie Palmer’s most loyal gourmands are treated to course after course of heavenly dishes prepared by Aureole’s Executive Chef Vincent Pouessel and impeccably paired with wine by none other than Aureole’s Wine Director, Master Sommelier William Sherer.

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What did I get myself into?

Well, this year, William Sherer and Aureole’s GM Kevin Dimond wanted to spice things up. They wanted to try something fun and less formal for the last day of the Wine Weekend, thus the Swiss Fondue Party I was telling you about earlier. They asked me if I wanted to help them organize the said fondue party.

I had concerns, naturally. Again, making fondue for a few people is easy but making fondue for more than 50 people is a lot more challenging. It requires proper execution and impeccable timing.

William Sherer assured me that this would not be a problem. Chef Vincent Pouessel and his staff would be on top of everything. Executive Pastry Chef Megan Romano would be there to assist as well. With such an experienced team behind me, the execution could be nothing but flawless. The opportunity to prepare fondue, Raclette and present Swiss wines at one of the top fine dining restaurants in Las Vegas, moreover, is not something that comes around everyday. How could I refuse, really? So I accepted. But I was still worried, of course.

D-Day: Swiss Cheese, Swiss Wine and Friends

August 7th, the day of the fondue party, finally arrived. The day began with a Bouillabaisse Breakfast, Sunday’s first event and the 6th of the seven Aureole Wine Weekend events. It was nothing like any breakfast I’ve had before. Aside from the fact that the food was extremely good, it was a breakfast paired with 7 Rieslings. Yes, that’s 7 glasses of Riesling – for breakfast.

After the Bouillabaisse Breakfast, we headed down to the kitchen to start preparations for the Raclette as well as the Cheese and Chocolate Fondue. When I walked into Aureole’s kitchen and saw the army of cooks working so capably and efficiently under Chef Vincent Pouessel’s supervision, my worries eased.

As an aside, Aureole’s kitchen is a sight to behold. It’s almost bigger than my entire house. It’s so big that Chef Vincent Pouessel actually uses a microphone when things get loud in the kitchen. Even Remy, the mouse from Ratatouille, would have been impressed!

Anyway, after my amazement has sufficiently passed, we started our preparations for the fondue party. The cheeses for the Raclette needed to be cleaned and the wheels cut into halves. The cheeses (Gruyere and Emmenthal) for the fondue needed to be grated, mixed and placed in fondue pots. Wine, garlic, kirsch eau-de-vie, pepper and other fondue ingredients (Chef Walti Wegmann’s recipe) also had to be prepared.

Christophe Tassan (MOF and the Wine Director of Mandalay Bay properties – e.g. Mandalay Bay, THEhotel, Four Seasons and Socialite), William Sherer and I started uncorking the wines to prepare them for service. Each wine had to be sampled to ensure that no faulty wines would be served. It was also the perfect moment to catch up with two close friends who are often so busy we rarely get the chance to get together for a little chat and a glass of wine.

Then it was time for the Swiss Fondue Party. The guests made their way back into Aureole’s dining room and, once they were properly seated, the fondue party officially started. We started the meal with cold cut meats, and the first flight of wines was served. Chef Vincent Pouessel’s team started making the fondue. The Raclette machines were turned on and the wheel halves were placed in cheese holders. That was my cue to start my presentation about Swiss wines and Switzerland’s recent wine “R”evolution.

1st flight: Dry Swiss White Wines

Wine 1: Domaine E. de Montmollin Fils Neuchâtel 2009 for the Fondue/Raclette

Made from the Chasselas grape, this wine comes from an award-winning winery managed by brothers Pierre and Jean-Michel de Montmollin. The de Montmollin family owns four estates: Auvernier, Areuse, Chauvigny and la Brosse, all of which are on the north bank of Lake Neuchatel.

Tasting notes: This Neuchâtel is refreshing with its fresh lime-tree fragrance, vine blossom aromas, distinct mineral notes, and citrusy flavor.
Pairing: Like all Chasselas wines from Domaine E. de Montmollin Fils, this Neuchatel is perfect as an aperitif. It’s great with Raclette and fondue (of course) but you should also try it with seafood, cold cuts and cheese.
Varietal: Chasselas
Appellation: Neuchâtel

Wine 2: La Baudelière Yvorne 2008 for the Fondue/Raclette

This Chasselas wine comes from a family-owned winery in Yvorne, which is part of the Chablais wine region in Switzerland’s Canton of Vaud.

Tasting notes: Intense aromas and flavors (but not overwhelmingly so) with distinct mineral notes. This is a very elegant wine. Dry (as expected of a Chasselas) with a delicate finish.
Pairing: This wine is great as a starter drink. Like the Montmollin Neuchâtel, this Yvorne pairs extremely well with cheese and seafood.
Varietal: Chasselas
Appellation: Yvorne

Wine 3: René Favre & Fils Petite Arvine Chamoson 2007 for the Raclette

This excellent expression of the Petite Arvine grape comes from a family-owned winery based in St. Pierre-de-Clages, Chamoson in the Canton of Valais. The René Favre & Fils winery is currently under the management of brothers Mike and John Favre.

René Favre & Fils specializes in old-vine Petite Arvine wines; in fact, the René Favre & Fils Estate is home to the world’s oldest Petite Arvine vines. Learn more about René Favre & Fils and its wines in one of my winery visit posts, René Favre & Fils – The Princes of Petite Arvine.

Tasting notes: This wine presents fruity, fresh and citrusy (even tart) aromas with floral notes. It is soft and mellow with mineral hints, has great balance and structure and finishes with a slightly salty tang.
Pairing: This can be served as a starter drink or paired with seafood, poultry dishes and veal. Spectacular with aged cheeses.
Varietal: Petite Arvine
Appellation: Chamoson

2nd Flight: Semi Sweet to Sweet Swiss White Wines

Wine 4: Jean-René Germanier Amigne de Vétroz Valais 2008

A superb expression of the Amigne varietal, this award-winning wine comes from a family winery founded in 1886 and based in the village of Vétroz in Switzerland’s Canton of Valais.

Tasting notes: Fresh and fruity on the nose, this wine is lightly tannic (remarkable for a white wine), slightly sweet, polished, and perfectly balanced.
Pairing: This wine is great as an aperitif but is divine with foie gras and sweets (dessert).
Varietal: Amigne
Appellation: Valais

Wine 5: Jean-René Germanier Mitis Amigne de Vétroz Valais 2007 for the Chocolate Fondue and accoutrement prepared by Executive Pastry Chef Megan Romano

A complex and layered expression of the Amigne varietal, this award-winning wine from Jean-René Germanier was aged in oak for 18 months.

Tasting notes: Sweet with hints of honey and candied / ripe fruits. Rich, intense and complex, presenting multiple layers of flavors that complement and are consistent with its aromas. Great structure and perfectly balanced.
Pairing: An extremely enjoyable dessert wine. Perfect pairing with blue cheeses and fruit-based desserts. Also pairs well with foie gras.
Varietal: Amigne
Appellation: Valais

Wine 6: Provins Valais Maître de Chais Grains de Malice Valais 2008 for the Chocolate Fondue and accoutrement prepared by Executive Pastry Chef Megan Romano

This award-winning late-harvest wine is a blend of Marsanne and Pinot Gris aged in oak for 15 months.

Tasting notes: A subtly layered and complex wine with flavors consistent with its aromas. Balanced and elegant.
Pairing: Pairs extremely well with desserts in general and blue cheese and foie gras in particular.
Varietal: 90% Marsanne, 10% Pinot Gris
Appellation: Valais

An Open Invitation

The Swiss Fondue Party last August 7th was a great success, thanks to Chef Vincent Pouessel, Pastry Chef Megan Romano and their staff. As William put it, “Fondue has not been this much fun since the 70’s.” As for the wines, well, there was not a drop of wine left over at the end of the event. They were that good!

To anyone out there who considers himself a gourmand: the Aureole Wine Weekend is the food and wine pairing event you should not miss. It is worth so much more than it costs. In fact, it is an absolute bargain! I’m already looking forward to next year’s wine weekend. If I’m in town then, I’ll definitely be attending, although I’ll be sure to come as one of the guests next time (less stress, even more fun).

Bon Appétit and Cheers!

Acknowledgments:

The Swiss Fondue Party wouldn’t have been the great success it was if it weren’t for the invaluable assistance of Aureole’s Executive Chef Vincent Pouessel, Aureole’s Executive Pastry Chef Megan Romano and every member of Aureole’s highly professional staff. I owe you all a big thank you.

Where you can go for additional information about the Third Aureole Wine Weekend and its participants:

• The Third Annual Aureole Wine Weekend in Las Vegas Program

http://www.charliepalmer.com/Data/Documents/Aureole%20Wine%20Weekend%202011.pdf

• Aureole Las Vegas

http://www.charliepalmer.com/Properties/Aureole/LasVegas/

• Aureole Las Vegas Staff
  

http://www.charliepalmer.com/Properties/Aureole/LasVegas/Staff/

• Executive Pastry Chef Megan Romano’s website

http://www.chefmeganromano.com/

Where you can go for more information about the Swiss wines listed above, all other Swiss wines, and places in the USA where you can get Swiss wines:

• Swiss Cellars

http://www.swisscellars.com

• Swiss Cheese

http://www.swissfaves.com

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Mondial du Merlot: A Brief Background

Mondial du Merlot is a wine competition organized by the VINEA Association.

Side Note: The VINEA Association is the current administrative seat of VINOFED (World Federation of Major International Competitions for Wines and Spirits), publisher of the Swiss Wine Guide and organizer of the Swiss Wine Fair, the Grand Prix du Vin Suisse, and the world-famous Mondial du Pinot Noir.

As its name suggests, Mondial du Merlot is a wine competition focused on Merlot wines, both varietals and blended Merlots.

Side Note: Why Merlot? Merlot is one of the most popular red wine grape varieties in the world. While it has recognizable varietal characteristics, a Merlot wine’s qualities still depend greatly on terroir as well as a producer’s viniculture and winemaking techniques. Mondial du Merlot was established mainly to reward Merlot producers who can create the best possible expressions of the Merlot variety and to provide wine buyers with a reliable Merlot-buying guide.

A Mondial du Merlot award is a guarantee of excellence accepted and recognized worldwide. This competition is one of the 10 members of VINOFED and, as such, no more than 30% of the wine entries can win an award.

Mondial du Merlot’s credibility – specifically the credibility of its jury and its evaluation criteria/procedures and the reliability of its results – cannot be questioned. Mondial du Merlot has the patronage of the Organisation Internationale de la Vigne et du Vin (OIV), the Union Internationale des OEnologues (UIOE), the Union Suisse des OEnologues (USOE), and the Association Suisse des Sommeliers Professionnels. This is your guarantee that, in Mondial du Melot, the highest possible standards for wine tastings and evaluation are strictly enforced and followed.

The Competition

In this year’s Mondial du Merlot, 300 plus Merlot wines competed. They hailed from the various Merlot production regions of France, Italy, Spain, Switzerland, Croatia, Greece, Chile, Argentina, Brazil, Ururgay, Romania, Bulgaria, Georgia, Australia, and the United States.

There were 3 main categories:

• Merlot varietals with 100 percent Merlot
• Merlot blends with at least 51% Merlot
• Old vintages (2005 or older) of Merlot varietals with 100% Merlot

There were also 3 main awards:

• Great Gold Medal, awarded to wines with 94.01 points or greater
• Gold Medal, awarded to wines with 89.01 to 94 points
• Silver Medal, awarded to wines with 84.01 to 89 points

For Great Gold Medal and Gold Medal awardees, special prizes were also up for grabs:

• The VINOFED Prize: For the wine that satisfied most of the judges (that is, the wine’s individual scores from jury members showed the smallest difference)
• The Banca WIR Prize: For the best Merlot in the competition
• The Older Vintage Prize: For the wine with the highest number of points in the Older Vintages category
• The VINEA Prize: For the best assemblage (blend) Merlot
• The ISICOM prize: For the producer that received the greatest number of medals
• The Univerre Trophy Prize: For the Swiss Merlot varietal wine that received the highest overall score
• The City of Lugano Prize: For the foreign wine that received the highest overall score
• The Best Merlot per Country Prize: For the best Merlot of each country

The winning wines were selected by a panel of 25 professionals from different parts of the world. These jury members are seasoned oenologists, wine journalists, professional tasters, sommeliers, and wine buyers.

Housed, Wined, Dined, and Entertained in Style

I can sing only praises for the organizers of the 2010 Mondial du Merlot. VINEA Association is exceptionally organized, as you would expect from event and competition organizers of their caliber. They were also very hospitable, making me (and the rest of the jury members, I’m sure) feel right at home.

We were housed in the hotel where the competition took place, the Grand Hotel Villa Castagnola. It was very convenient as we didn’t have to travel to the competition venue whenever it’s time to taste wines. More than that, however, the Grand Hotel Villa Castagnola was truly an excellent choice of accommodation. This 5-star resort hotel is set on the shores of Lake Lugano and has its own subtropical private park, so it provides an amazing scenery and a very relaxing atmosphere. The hotel’s service is also impeccable, and we were immediately given whatever we asked for or needed.

The organizers certainly did not neglect our palates. They spoiled us with succulent lunches and dinners that were overwhelming in quantity. We were also served delicious local meals in grottos and medieval castles.

Of course, we also did some sightseeing. We made a trip to the old city of Belinzona, and we visited the only winery in Lugano designed by the acclaimed architect, Mario Botta. Oenologist and jury member Cristina Monico also gave us a personal tour of her operations.

To the organizers of the Mondial du Merlot, thank you for inviting me to be one of the jury members. I very much enjoyed your wonderful hospitality and, of course, I loved sampling the best Merlot wines that the world has to offer. Your selection standards are truly first-rate. I was very impressed with the overall quality of the wine entries, and I was especially delighted to discover some real gems.

To Merlot wine producers, if you think you produce great Merlot, participate in next year’s Mondial du Merlot competition. Winning a Mondial du Merlot award is solid proof that you make truly world-class Merlot!

Cheers!

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A Brief Background

Le Mondial du Pinot Noir is an international wine competition organized by the VINEA Association.

Side note: The VINEA Association is publisher of the Swiss Wine Guide and organizer of the world-renowned Swiss Wine Fair (held every September) and the Swiss wine competition, Grand Prix du Vin Suisse. Since 2006, it has managed the administrative side of the World Federation of Major International Competitions for Wines and Spirits (VinoFed). The VINEA Association organizes two prestigious international wine competitions, Le Mondial du Pinot Noir and Le Mondial du Merlot (which it co-organizes with ISICOM SA). Both of these competitions are members of VinoFed and enjoy the patronage of the International Organization of Vine and Wine (OIV) and the Union Internationale des OEnologues (UIOE).

Le Mondial du Pinot Noir is a competition focused on the Pinot Noir variety and other Pinot varieties (Pinot Gris and Pinot Blanc). Every year (starting from the very first Le Mondial du Pinot Noir in 1998), winemakers from various Pinot Noir-growing regions worldwide would gather in Sierre to present their best Pinot Noir appellations for sampling and judging by a panel of highly skilled international tasters.

The competing wines are tasted and judged using an evaluation sheet that combines the OIV form and the UIOE form for international competitions. The competition is organized strictly according to the rigorous standards set by the OIV. A computerized system is used to ensure that the competing wines are evaluated and rated in an orderly and systematic manner. The fairness and credibility of results are guaranteed; the composition of wine-tasting panels and awarding of prizes are in strict compliance to VinoFed’s rules and standards.

Side note: Wondering why Pinot Noir wines deserve special attention? Pinot Noir, with a total surface area of 85,000 hectares worldwide, is a very unique variety. Pinot Noir wines are exceptionally expressive of terroir and their producers’ vine-growing and winemaking techniques. Le Mondial du Pinot Noir, therefore, serves as a venue for wine producers to showcase their terroir and winemaking skills. Those who can produce the best expressions of Pinot Noir are rewarded with the worldwide recognition they deserve. Pinot Noir lovers, on the other hand, leave knowing which Pinot Noir wines they must absolutely try next.

This year, Le Mondial du Pinot Noir was held from the 20th to the 22nd of August at the Chateau du Mercier in Sierre, Valais Switzerland – and I’m glad to have been part of it.

The Wines

A little over 1,100 Pinot wines of different vintages, colors (red, white and rosé) and styles (dry, sweet, still, and sparkling) from 21 countries competed. The wines were grouped into three major categories: the Mondial du Pinot Noir Category, the Pinot Family Category and the Pinot Noir Producers World Champion Category. Le Mondial du Pinot Noir is mainly a Pinot Noir wine competition, but Pinot Gris and Pinot Blanc wines have a special place in the Discovery subcategory (under the Pinot Family major category).

At stake were gold medals, silver medals and the various special prizes: the Univerre Trophy prize, the Bourgogne d’Aujourd’hui prize, the Older vintage prize, the VINOFED prize, the Producers of Pinot Noir World Champion Syngenta prize and the Vitisphere for Digital Communication prize.

The jury was composed of 60 experienced wine tasters from Argentina, France, Germany, Italy, Malaysia, Netherlands, New Zealand, Romania, Sweden, Switzerland, and the United States

The Royal Treatment

I was one of the members of the jury, and this was my first time attending a VINEA function as a judge.  Although I’ve heard numerous accounts of how Le Mondial du Pinot Noir is always so superbly organized, the event still exceeded my expectations.

Top marks go to the competition’s organizers. Their excellent planning, outstanding preparation and faultless execution ensured the smooth flow of activities and made the event what it was: a huge success. Their impeccable hospitality, moreover, made for a truly memorable 3 days.

The organizers gave me and the rest of the jury a taste of the region’s history and culture by taking us on a tour of the nearby museums. We visited Fondation Pierre Gianadda and enjoyed the Nicolas de Staël Exhibition (this temporary exhibition will end on November 21st ). We also made a special trip to Chateau d’Aigle, a 12th century fortress towering over rows and rows of vines and home to The Vine and Wine Museum.

The organizers also treated our palates to the best food and wine the region has to offer. The most memorable are the Chamoson Raclette dinner set amidst the world’s oldest Petite Arvine vineyards (owned by Rene Favre & Fils) and the luncheon at Hotel Le Terminus’ gourmet restaurant, Didier de Courten (rated 2 stars by the MICHELIN Guide and 19 points by Gault Millau).

Le Mondial du Pinot Noir was truly a treat. I enjoyed every minute I spent walking around the beautiful Sierre countryside with its lovely weather, stunning mountain vistas and endless vineyards. I loved sampling the Pinot Noirs and other Pinot varietals, and I deeply admire the wine producers’ dedication to bringing out the best in these varieties. Most of all, I appreciate the warm hospitality the people of Sierre and the VINEA Association have shown me and my fellow members of the jury.

Pinot producers, do you think you make one of the world’s best Pinots? There’s only one way to find out. Enter your wine(s) in Le Mondial du Pinot Noir! For more information about Le Mondial du Pinot Noir, please visit www.mondial-du-pinot-noir.com.

Cheers!

As we made our way through the estate, we could see the vineyards and the lavender bushes that surround the estate’s vineyards. We visited the estate’s cellars, the barrel (vat) room where the wines age for up to 3 years depending on the wine type, and the rest of the estate’s wine production facilities. We also visited the private tasting room, which offered a spectacular view of the estate’s vineyards and the surrounding lavender fields. The wines we sampled – every one of them – surpassed all of our expectations. Villa Poggio Salvi’s aim is to make traditional Italian wines more approachable to new world markets; hence Villa Poggio Salvi Brunellos tend to open up sooner than traditional Brunellos.

Villa Poggio Salvi: Estates

Villa Poggio Salvi has two estates: Poggio Salvi in Montalcino (the estate we visited) and Casavecchia in Monteriggioni. Both of these estates are ideal for growing wine grapes. The soil is rich in marl, while the breeze blowing from the Tyrrhenian Sea provides great ventilation, helping prevent rot and other vine diseases.

Poggio Salvi di Montalcino: Poggio Salvi is located on a Montalcino hillside facing the Tyrrhenian Sea (Mar Tirreno). This unique location plus its altitude (some 300 to 500 meters above sea level) gives Poggio Salvi its fresh and clean air. This has made Poggio Salvi or “Safe Knoll” a favorite refuge among the people of the Maremma region in times of plagues and epidemics.

In 1979, Pierluigi Tagliabue bought and started developing Poggio Salvi. Now, this area serves as Villa Poggio Salvi’s headquarters and houses Villa Poggio Salvi’s winemaking facilities. Poggio Salvi is also home to Dr. Luca Belingardi, who is in charge of Villa Poggio Salvi’s day-to-day operations.

Villa Poggio Salvi owns around 23 hectares of vineyards in Montalcino. All of these vineyards are planted with Sangiovese grosso grapes.

Casavecchia: Monteriggioni, like Montalcino, is located on a hillock and lies around 200 meters above sea level. Villa Poggio Salvi’s estate in Monteriggioni spans some 20 hectares of vineyards planted with Sangiovese and Merlot grapes.

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Villa Poggio Salvi: Winery and Wines

Villa Poggio Salvi knows the value of modern technology in wine production. To further improve its productivity and wine quality, Villa Poggio Salvi’s winemaking facilities in Poggio Salvi di Montalcino has been undergoing renovation over the past few years. The side of the hill on which Villa Poggio Salvi di Montalcino lies – even the land on which the Villa stands – has been extensively excavated in the spirit of modernization. Newly built structures now dot the landscape. Old buildings and facilities have also been revamped, restored or improved.

Villa Poggio Salvi makes DOCG, DOC and IGT wines.

DOCG wines

• Villa Poggio Salvi Brunello di Montalcino (red wine)

Villa Poggio Salvi Brunello di Montalcino is made according to the winemaking rules of the Montalcino DOCG. It has two variants: Villa Poggio Salvi Brunello di Montalcino Annata and Villa Poggio Salvi Brunello di Montalcino Reserve.

Villa Poggio Salvi Brunello di Montalcino is 100% Sangiovese grosso. To make this wine, Villa Poggio Salvi uses only grapes harvested from its best, southwest-facing Montalcino vineyards. The grapes for the Reserve come from vineyards 300 to 520 meters above sea level. The grapes for the Annata come from vineyards 320 to 480 meters above sea level.

After fermentation, Brunello di Montalcino Reserve undergoes 40 months of aging in Slavonian oak and 6 or more months of aging/refining in bottle. Brunello di Montalcino Annata, on the other hand, undergoes 30 months of aging in Slavonian oak and 6 months or more of aging in bottle.

• Villa Poggio Santi Caspagnolo Chianti Colli Senesi (red wine)

Villa Poggio Salvi Santi Caspagnolo Chianti Colli Senesi is made using grapes from the Villa Poggio Salvi estate in Monteriggioni. As the name suggests, Caspagnolo is made using grapes from the Colli Senesi (Siena) sub-area of the Chianti wine region and according to the Chianti DOCG appellation rules. Caspagnolo is 90% Sangiovese grosso and 10% Merlot. Before public release, Caspagnolo is aged briefly in Slavonian oak barrels then refined in bottle for about 3 to 4 months.

DOC wines

• Villa Poggio Salvi Rosso di Montalcino (red wine)

Villa Poggio Salvi Rosso di Montalcino, made according to Rosso di Montalcino DOC rules, is 100% Sangiovese grosso. This wine undergoes a shorter period of aging than the Brunello DOCG wine. Specifically, it is aged in Slavonian oak for 12 months then aged in bottle for 2 or more months.

• Villa Poggio Salvi Aurico Moscadello di Montalcino (white wine)

Moscadello di Montalcino is a Montalcino DOC wine that is steeped in history and tradition. Montalcino has been making this wine since the 16th century. The appellation accepts three Moscadello wine styles: still, sparkling or late harvest.

Villa Poggio Salvi makes the third type. Villa Poggio Salvi Aurico Moscadello di Montalcino is a late-harvest wine. This dessert wine is 100% Moscato bianco (white Muscat). Villa Poggio Salvi lets the grapes dry directly on the vines then, in mid-November, the withered grapes are handpicked then pressed. The must undergoes oak fermentation and the resulting wine is aged in oak for 2 years then aged in bottle for 6 months or longer.

IGT wine

• Villa Poggio Lavischio Toscana Rossi (red wine)

Villa Poggio Salvi Lavischio Toscana Rossi is 100% Merlot. It is made using grapes harvested from Villa Poggio Salvi’s vineyards in Monteriggioni. It undergoes 3 months of Slavonian oak aging and 5 months of bottle aging.

Other wines

Apart from the wines listed above, Villa Poggio Salvi also makes the following wines:

• Brut Rose Spumante: This pink sparkling wine is made using Sangiovese grosso grapes (100%).
• Vaio: This red wine, made according to the rules of the Morellino di Scansano DOCG appellation, is made using grapes from the village of Scansano. This Morellino varietal wine undergoes 3 to 4 months of bottle aging in Poggio Salvi di Montalcino cellars.
• Vermentino: This white wine belongs to the Toscana IGT appellation. This Tuscan white wine is made using Vermentino bianco grapes from Scansano. It is aged in stainless steel tanks, after which it undergoes bottle refining for 2 to 3 months.
• Tosco: This Toscana IGT red wine is 100% Sangiovese grosso, made using grapes from Villa Poggio Salvi’s Monteriggioni vineyards. It is aged in Slavonian oak for 10 months then refined in bottle for 4 months.

Grappa

Villa Poggio Salvi also makes its own pomace brandy or grappa. When Villa Poggio Salvi makes Brunello di Montalcino, the grape skins that remain after pressing the Brunello grapes are carefully screened. Only the choicest grape skins are used to make grappa; these are distilled at the Nannoni Distillery within 24 hours of pressing.

Villa Poggio Salvi makes two pomace brandy variants: Grappa di Brunello and Grappa di Brunello Reserve. Grappa di Brunello is a young grappa while Grappa di Brunello Reserve is a Grappa Riserva. Grappa di Brunello Reserve is simply Grappa di Brunello that has undergone 4 years of aging in French oak.

That’s it for now. Next stop: Tenuta Greppo – Biondi Santi.[1] Cheers!

And what do you know. It was a visit to Tenuta Greppo, the Biondi Santi Estate where I met with none other than the great Dr. Franco Biondi Santi himself. Now 88 years old, Dr. Franco Biondi Santi remains at the helm and still has final say on the Biondi Santi Estate’s wine production. For the benefit of those who don’t know, the Biondi Santi Winery makes superb wines. In fact, the 1955 Biondi Santi Reserve is one of Wine Spectator’s Top 12 Wines of the Century – and it is the only Italian wine on that list.

The Biondi Santi Estate and Cellars

Tenuta Greppo, nestled in the spectacular hillside of Montalcino, is more than a century old. It (and the rest of Montalcino) is part of Val D’Orcia, which was declared a “World Heritage Site” by UNESCO in 2004.

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[Word of advice: If you are ever in Val D’Orcia, beware of the Carabineers or the Italian Police!]

As we walked through the cellars that still echo the sounds made by winemakers past, our translator pointed out four old casks. He said they hold what’s left of Biondi Santi’s famed first vintages. Today, these vintages are still being used to “soulify” Biondi Santi’s 6-month-old wines. I was also shown the Biondi Santi’s valuable wine collection. The oldest vintage on hand is a Reserve 1888.

The Biondi Santi Topping Up and Recorking Ritual

In 1927, Biondi Santi started topping up and recorking estate-owned bottles of famous Biondi Santi Reserve vintages. By replacing the cork and topping up the wine, Biondi Santi ensures that its wine collection is correctly preserved and will always remain in perfect condition.

In 1990, Biondi Santi started offering its topping-up and recorking service to its clients. Every year in June, Biondi Santi clients can send back their bottles of famous Biondi Santi vintages to Tenuta Greppo. Dr. Franco Biondi Santi opens each bottle and checks the wine it contains for flaws. Any bottle that passes his inspection is topped up with the correct vintage from Biondi Santi’s own collection, corked with a Biondi Santi-branded cork and sealed with a red Biondi Santi-branded hood. It also gets a recorking certificate, proof that the wine is in a perfectly preserved state. On the other hand, any bottle that doesn’t pass his inspection (i.e. found to be flawed due to incorrect storage) is not topped up. It is simply sealed with an unbranded cork (minus the hood) and returned to its owner.

Owners of topped-up bottles are charged for every mL of wine used to restore the wine content to the correct level and for the time spent by Biondi Santi staff in the topping up and recorking operations.

Tip to Biondi Santi Wine Collectors

In my Biondi Santi visit, I was taught the proper way of enjoying Biondi Santi wines. Apparently, Biondi Santi wines should not be decanted in a traditional decanter. Rather, you should uncork it, pour out a small amount of wine (until the wine level is only up to the shoulders of the bottle) then let it set for 8 hours.

Cheers!

Just recently, I decided to take Bruno up on his offer. As I was rather unfamiliar with Cilento, I decided to stay a few days so I can acquaint myself with this former Greek “colony.”

Our journey started in the city of Naples, where we rented a car with which to make our way to Bruno’s winery. For those of you who have not been to Naples yet, forget everything you learned in driving school and trust your instincts instead. There’s no such thing as a red light or a stop sign in Naples – at least not to the locals, that is.

As we made our way out of the city, through the more rural areas of the Salerno province and on towards Cilento, the heart of Campania, the urban stress we felt gradually lifted and in its place, we could feel something similar to what Jaime Oliver must have felt while driving through Italy.

Cilento captivated and drew the eyes with its picturesque scenery, its beautiful coastlines and the endless rows of olive trees that dotted the entire Mediterranean countryside. As we drove up the hill road amidst Cilento’s olive tree plantations, we saw glimpses of the vineyards facing the Mediterranean Sea. In this part of Italy, Aglianico, Fiano d’Avelino and Falanghina vines, which thrive in the area’s hot and sunny climate, are the most common varietals. As we pulled into the De Conciliis Estate, Bruno and his dog were there to greet us.

The Viticoltori De Conciliis Winery was founded by Bruno’s late father in 1996 after Bruno convinced him to abandon their poultry business and go into the winemaking business, instead. Bruno and his family then left Milano, where Bruno worked as an architect, to go back to his hometown. I mention this because many of the Italian winemakers I have visited or will be visiting in the future have either inherited the business or have been in viticulture for generations.

Today, the De Conciliis Winery is very successful and its wines are sold in numerous countries worldwide. This success is probably largely due to the uniqueness of the De Conciliis family. Bruno’s approach to winemaking significantly differs from that of other wine makers. He constantly changes his winemaking techniques, continuously adapting them to the needs of the times.

The De Conciliis are also great jazz fans. In fact, they have a wine called “Naima,” a tribute to the song of the same name by John Coltrane. There is also a De Conciliis wine called “Selim,” which is a semordnilap of “Miles” (i.e. “Miles” spelled backwards) and a tribute to jazz artist Miles Davis. By the way, Selim, which is 70% Fiano and 30% Aglianico, is the first ever sparkling wine produced in Campania and quite probably its finest.

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The next morning, we set out to explore the estate. The beauty of the landscape and the friendly employees (most of whom are De Conciliis relatives) made our tour of the winery extremely enjoyable. Olive trees surround the De Conciliis Estate, and its vineyards share its side of the hill with olive tree plantations.

After our tour of the winery and after sampling Bruno’s latest vintages and blends, we headed to the fresh produce market to shop for the dinner party we were planning to hold in the estate’s tasting room that night. At the market, we got just-picked vegetables plus still-squirming fish and calamari (squid) fresh off the fishermen’s nets.

Back to the estate, I, Bruno and Dino Tantawi (president and owner of Vignaioli Selection, the NYC-based importer of fine wines) cooked on firewood stoves while jazz music played in the background. Meanwhile, our families mingled, chatted and sipped superb De Conciliis wines while waiting for dinner to be served.

Bon Appétit!

I can understand why people feel the need to ask this question. All too often, wine aromas are confused or misinterpreted, making it difficult to identify the wine being described. So, just how does one learn to accurately distinguish and describe wine aromas?

In my professional opinion and based on my personal experience, the simplest way to learn to differentiate the aromas in wine is by using the Wine Aromas’ (Le Nez du Vin) wine education kit developed by Jean Lenoir. But we’ll return to that later. For now, let’s discuss where wines get their aromas, and how professional wine tasters describe wine aromas and why they describe them this way.

Where Wines Get Their Aromas

Wines, or more specifically the grapes used to make wines, take on the characteristics of their environment (in wine speak, that’s terroir). In the earth (i.e. soil), air and water are aromatic compounds. The soil and water also contain the essences of plant and floral life that have been layered over through the centuries. These are the exceptional aromas found in red and white wines from France and around the world.

A wine’s aromas can give us an indication of this wine’s country, region and vineyard of origin. They also tell us about the grape varietal/s used to make the wine, the winemaking techniques utilized and the aging conditions to which the wine has been subjected.

An Explanation of Wine Aromas and How Wine Tasters Describe Them

When professional wine tasters say they detect the strawberry aroma in a particular wine, they are not saying that the maker of the wine added strawberry essential oils to the grape juice (i.e. that the wine is a strawberry-flavored one). They are simply saying that the wine has a scent that closely resembles that of strawberries.

In truth, wines owe their aromas from their chemical composition. It is not just one chemical compound that can lead to a particular aroma, moreover. A specific wine aroma can be a result of one or a combination of several compounds. For instance, there are a number of compounds (individually or in combination) that can give wines strawberry-like aromas – and these include Furaneol, ethyl acetate, ethyl butyrate, ethyl formate, ethyl hexanoate, and methyl cinnamate.

Professional wine tasters, however, do not mention these compounds in their wine reviews. For example, they simply say they smell strawberries instead of saying the wine has Furaneol or any of the other compound with which the strawberry aroma is generally associated. This makes it easier for the readers of wine tasting notes to assimilate and use the provided information in their wine buying decisions. What professional wine tasters do, basically, is assess a wine’s aromas and describe them in a manner that laypersons (non-professionals) can easily understand.

Example:

Isn’t it easier to imagine how a wine would be like if we read a tasting note that describes it using words in our everyday vocabulary? Take the following sample description of a Nuits-St-Georges Premier Cru:

This red wine, garnet in color with pinkish meniscus, has the aromas of strawberry, raspberry, cherry, and liquorice with some smoky notes. The wine is balanced with a smooth lingering finish.

The above description is clear, simple and very easy to understand, right? Now, imagine how so much more complicated and unfathomable this review of Nuits-St-Georges Premier Cru would be if wine tasters wrote the following way:

This red wine, garnet in color with pinkish meniscus, has the aromas of one or more of the following: Furaneol, ethyl acetate, ethyl butyrate, ethyl formate, ethyl hexanoate, methyl cinnamate (Strawberry), ethyl acetate, ethyl formate and esters (Raspberry), Benzaldehyde-cyanohydrin (Cherry), Glycyrrhyzin (Liquorice), Guaiacol, and 4-ethylguaiacol (Smoke). The wine is balanced with a smooth lingering finish.

Is your head aching yet? With a description like the above, only someone with a degree in chemistry could possibly imagine what this wine smells like. Any wine taster that writes his tasting notes this way will quickly (and deserves to) lose all of his readers, subscribers and followers.

The Wine Aromas Wine Education Kit

Now, let’s go back to our original question. Just how do we learn to distinguish and name specific wine aromas? The answer is simple: use the Wine Aromas (Le Nez du Vin) wine education kit.

The Wine Aromas (Le Nez du Vin) wine education kit is an essential tool for anyone who wishes to learn how to accurately identify specific aromas in wine. Through its help (and with time and practice), you will learn the universal language of wine, become skilled at accurately pinpointing wine aromas, and become good at identifying the type and origin of whichever wine you are sampling. Ultimately, the Wine Aromas wine education kit will improve your appreciation for wines.

For more information about Wine Aromas / Le Nez du Vin, please visit www.winearomas.com.

Cheers!

Disclaimer: Sébastien Gavillet (the author of this article) is the Chief Wine Officer of Wine Aromas Inc, the official distributor of Le Nez du Vin wine education kits.

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The Concept:

Leave it to the Swiss to come up with such a fantastic and original idea: a wine bottling party to promote Swiss wines in New York City! Swiss wine journalist Chandra Kurt came up with the idea. She then pitched her proposal to two world-renowned Swiss wineries, Jean-René Germanier and Provins, both of which graciously consented to have their wines bottled in a special event at the City Winery.

The Venue:

The City Winery, located at the heart of Soho, is the only winery in the City of New York. It was founded by Michael Dorf in 2008. It is a fully equipped winery, producing wines using wine grapes from all over the world. French winemaker David Lecomte heads the City Winery’s professional wine making team. Next time you are there, try his Petite Syrah. You’ll find it hard to believe you’re drinking wine made in NYC. The City Winery is a great place for hanging out. It is place where people can get together, enjoy wines produced on-site and listen to live music. Artists like Suzanne Vega and Elvis Costello have performed there. Want to try your hand at wine making? The City Winery also offers aspiring wine makers and hobbyists the opportunity to make their own wines.

The Wines:

Two wines, one from each participating Swiss winery, were selected for bottling. One of them is a white wine, a Petite Arvine “Cru des Domaines” 2007 from Provins. The other is a red wine, a Syrah “Cayas” 2008 from Jean-René Germanier (see Jean-René Germanier Winery post for my Cayas wine review and tasting notes).  A barrel of each wine was shipped to NYC with the help of Laurent Crolla of Swiss Cellars, a distributor of Swiss wines in the United States.

The Party:

Winemakers, sommeliers, wine experts, gourmands, wine importers, wine enthusiasts, and members of the media were amongst those invited to attend this first-of-its-kind event for Swiss wines. Swiss Wines in the City started with a “bottling party.” It went exactly as you imagine: the wines described above were bottled right in front of the guests. After the bottling party, there was a dinner party. The guests were then able to sample a wide variety of wines from the cellars of Provins and Jean-René Germanier.

After Party:

After dinner, we headed to Terroir, Paul Grieco’s latest wine bar and a top NYC hot spot located in Tribeca. We were just in time to share some of the Swiss wines with sommeliers and food critics from all over the country who had just attended the 2010 James Beard Foundation Awards. Cheers!